reread the first stanza. to what does the line "with a soft inland murmur" refer?

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Lines Composed a Few Miles in a higher place Tintern Abbey, on Revisiting the Banks of the Wye during a Bout, July 13, 1798 Stanza i, Lines 1-22

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Stanza one, Lines 1-22

Lines ane-2

FIVE years have past; five summers, with the length
Of five long winters!

• The speaker doesn't open with a description of the view or fifty-fifty an explanation of where he is, he starts by telling us how much time has passed since he was last here (and we know from the title that "here" is "a Few Miles to a higher place Tintern Abbey," on the "Banks of the Wye").
• And boy does he tell united states. He doesn't just say "five years have past," he really emphasizes that five years is a super long time by adding up the seasons. Especially the "five long winters."

Lines ii-4

and again I hear
These waters, rolling from their mount-springs
With a soft inland murmur. – Once once more

• But now he'southward there again! So, "once once more," the speaker tin can hear and see all the beautiful stuff that he remembers from his starting time visit.
• This is where he starts to draw those impressions, and he starts with what he can hear: the audio of the "mountain-springs."

Lines five-eight

Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the heaven.

• The speaker describes the "steep and lofty cliffs." They're just as he remembered, too.
• He uses the word "once again" in these lines, besides, possibly to reinforce the idea that he's been hither before.
• Those mount cliffs "impress/ Thoughts" of "seclusion," or cocky-imposed solitude on the speaker.
• "Impress" seems like a funny give-and-take pick. It'south a more agile verb than you'd expect for something inanimate, like a cliff. Information technology makes it seem every bit though the cliffs he's looking at have some kind of will or volition of their ain. Or maybe it just seems that manner to the speaker.
• Those cliffs accomplish from the mural below and beyond them up to the sky, "connect[ing]" everything he's looking at, and then the cliffs help to create a sense of unity to the view he'south admiring.

Lines 9-14

The day is come up when I again repose
Hither, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this flavor, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses.

• Hither's that word, "once again," once again. We get the moving picture: you've been here before!
• The speaker "reposes," or relaxes in the shade under a "sycamore" (10) and lists all of the specific parts of the view that he remembers from the last trip to the River Wye: the pocket-size gardens around the cottages and the groups of fruit trees which, in the distance, expect like "tufts" instead of individual trees. Considering information technology's still early in the summertime, the fruit isn't ripe notwithstanding, and then the fruit trees are all the same shade of dark-green as the surrounding clusters ("groves and copses") of wild trees.

Lines 14-18

These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!

• "Once again," again. He certain wants to emphasize the fact that he'south seen all this earlier.
• The "hedge-rows," or planted rows of shrubbery, used to mark holding lines or the border of a field, look like "little lines" (15) from his vantage point.
• He too describes the hedge-rows as "sportive woods run wild" (16), which seems odd, given that hedges are planted to proceed things in guild, so that the fields won't "run wild."
• The speaker so points out all the farm houses he can see, so the little "wreaths of smoke" actualization here and there from the wood.
• Hm, so it's non merely a wild landscape. There are signs of human life here, too.
• But no sounds of homo life: the smoke goes up "in silence." Patently the only sounds he can hear from his vantage point come from the "mountain-springs" he describes in line 3.
• The farms he describes are "pastoral," which is interesting considering the word "pastoral" can refer either to shepherds (so these are probably sheep farms), the countryside where shepherds are probable to alive (like the "Banks of the Wye"), or to poetry nearly shepherds.

Lines 19-22

With some uncertain notice, as might seem
Of vagrant dwellers in the houseless forest,
Or of some Hermit'south cave, where by his burn down
The Hermit sits alone.

• The "wreaths of smoke" from line 18 are a bit of a mystery. The speaker imagines that the smoke could come from the fire of a "vagrant" or wandering person who's camping out in the "houseless wood."
• Or maybe the smoke is coming from a cave where a "Hermit," or solitary religious person, has chosen to live.

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Source: https://www.shmoop.com/study-guides/poetry/tintern-abbey/summary/stanza-1-lines-1-22

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